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In the morning a man walks with his whole body; in the evening, only with his legs. RALPH WALDO EMERSON, Journals and Miscellaneous Notebooks Greek architecture is the perfect flowering of geometry.
Nothing divine dies. All good is eternally reproductive. The beauty of Nature re-forms itself in the mind, and not for barren contemplation, but for new creation.
Besides the general infusion of wit to heighten civility, the direct splendor of intellectual power is ever welcome in fine society, as the costliest addition to its rule and its credit.
When I behold a rich landscape, it is less to my purpose to recite correctly the order and superposition of the strata, than to know why all thought of multitude is lost in a tranquil sense of unity.
The wheels and springs of man are all set to the hypothesis of the permanence of nature. We are not built like a ship to be tossed, but like a house to stand.
If we will not interfere with our thought, but will act entirely, or see how the thing stands in God, we know the particular thing, and every thing, and every man.
I have heard that stiff people lose something of their awkwardness under high ceilings, and in spacious halls. I think, sculptureand painting have an effect to teach us manners, and abolish hurry.
Solitude is impractical, and society fatal. We must keep our head in the one and our hands in the other. The conditions are met, if we keep our independence, yet do not lose our sympathy.
We must not inquire too curiously into the absolute value of literature. Enough that it amuses and exercises us. At least it leaves us where we were. It names things, but does not add things.
The permanence of all books is fixed by no effort friendly or hostile, but by their own specific gravity, or the intrinsic importance of their contents to the constant mind of man.
Sole and self-commanded works, Fears not undermining days, Grows by decays, And, by the famous might that lurks In reaction and recoil, Makes flames to freeze, and ice to boil.
Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design;--and posterity seem to follow his steps as a train of clients.