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If you are writing any book about the end of the world, what you are really writing about is what's worth saving about it.
Gratitude is something of which none of us can give too much. For on the smiles, the thanks we give, our little gestures of appreciation, our neighbors build their philosophy of life.
I grew up during the Cold War, when everything seemed very tenuous. For many years, right up until the fall of the Berlin Wall, I had vivid nightmares of nuclear apocalypse.
Nothing is more limiting than a closed circle of acquaintanceship where every avenue of conversation has been explored and social exchanges are fixed in a known routine.
My theory of characterization is basically this: Put some dirt on a hero, and put some sunshine on the villain, one brush stroke of beauty on the villain.
And indeed, I am a warmhearted and thoroughly domestic man who gets up and makes pancakes for his children and kisses them on the head when he sends them off to their day.
Miles away from everthing and everyone I've ever known or loved. I feel as if I've entered a new era of my life. What strange places our lives carry us to.
So perhaps the greatest worry of all was that one day you would realize that all the worries of your life amounted to one thing: the desire to just stop worrying.
She remembered no one at all. She remembered one day thinking: I am alone. There is no I but I. She lived in the dark. She taught herself to walk in the light, though it was not easy.
Before she became the Girl from Nowhere-the One Who Walked In, the First and Last and Only, who lived a thousand years-she was just a little girl in Iowa, named Amy. Amy Harper Bellafonte.
When you write, you take the ball and you hold it up to the light and you turn it slowly, and let people draw their own conclusions. And try to bring empathy to all sides of the equation.