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The hardest thing for me in Vietnam wasn't seeing the wounded and dead. It was watching the big transport jets come in, bringing loads of fresh new boys for the war.
I gave up language for a while, and I started painting.And then I only listened to Miles Davis and other instrumental music to see how it felt to be without words.
The thing I'd miss most is the feeling when acting is going well, when you start a play and you end the night and you look back and go, "What just happened?"
I wanted to be a writer for a while. I was an excellent child writer. I won multiple poetry contests. I was published at age three - I think that was more about novelty than my immense talent.
I really don't have a specific idea of where I want my career to go, I just have an idea of wanting to continue to work and work on things that I like and think are good.
The idea of a journeyman actor, people sort of say negatively - "Someone who never made it for real" - [but] I think a journeyman actor is the complete goal.
I think that it's a myth that there's one job that makes your whole career, unless you're winning an Oscar. But even that doesn't work for some people.
Even though I'm on a show that I love with people that I love - I have basically the dream job - that doesn't mean I'm not getting rejected on a daily basis.
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.
My mother always told me that any talent is a gift of God and I always believed it. If I quit, I would just live in front of the television and get fat and die pretty soon.