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For the existentials, negation is their God. To be precise, that god is maintained only through the negation of human reason. But, like suicides, gods change with men.
Everybody knows that pestilences have a way of recurring in the world; yet somehow we find it hard to believe in ones that crash down on our heads from a blue sky.
There is no longer a single idea explaining everything, but an infinite number of essences giving a meaning to an infinite number of objects. The world comes to a stop, but also lights up.
Every time I hear a political speech or I read those of our leaders, I am horrified at having, for years, heard nothing which sounded human. It is always the same words telling the same lies.
To me, art is not a solitary delight. It is a means of stirring the greatest number of men by providing them with a privileged image of our common joys and woes.
The French Revolution gave birth to no artists but only to a great journalist, Desmoulins, and to an under-the-counter writer, Sade. The only poet of the times was the guillotine.
As for those whose role it is to love us - I mean, relatives and in-laws (what a word)- It's a different tune. They find the right word, but it's usually the one that wounds.
Methods of thought which claim to give the lead to our world in the name of revolution have become, in reality, ideologies of consent and not of rebellion.
On the ridge where the great artist moves forward, every step is an adventure, an extreme risk. In that risk, however, and only there, lays the freedom of Art.