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The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
If one's conscious life is too rigid, too regimented, then the surface may crack at times, and we are unprepared for the strange emotions or sensations we experience.
There are only two kinds of freedom in the world; the freedom of the rich and powerful, and the freedom of the artist and the monk who renounces possessions.
In my childhood diary I wrote: “I have decided that it is better not to love anyone, because when you love people, then you have to be separated from them, and that hurts too much.
The inner chambers of the soul are like the photographer's darkroom. Like a laboratory. One cannot stay there all the time or it becomes the solitary cell of the neurotic.
Also, I do not like the companionship of women. They are petty and personal. They hang on to their mysteries and secrets, they act and pretend. I like the character of men better.
What a mystery this is, desire. The love sickness, the sensitivity, the obsession, the flutter of the heart, the ebb and flow of the blood. There is no drug and no alcohol to equal it.
I cheat him, I deceive him, yet the world does not sink in sulphur-colored mists. Madness conquers. I can no longer put my mosaics together. I just cry and laugh.
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude.
I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.
I believe that in judging our actions we are more severe than professional judges. We judge not only our actions, but our thoughts, our intentions, our secret curses, our hidden hate.