Andrew Graham-Dixon Quotes

The edge in modern painting is charged with neurosis; it meets a world that no longer confirms it but which is hostile or at best indifferent.

At its edges, a painting makes its surrender to reality. The ways in which it can do so are endlessly revealing, as infinite as the potential forms of painting itself.

Ann Winder-Boyle's small-scale encaustic pictures always reward a second look - they have an intriguing edge of darkness about them.