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For forty days, for forty nights Jesus put one foot in front of the other and the man he carried, if it was a man, became heavier and heavier.
Somebody who should have been born is gone. Yes, woman, such logic will lead to loss without death. Or say what you meant, you coward . . . this baby that I bleed.
Every time I get happy the Nana-hex comes through. Birds turn into plumber's tools, a sonnet turns into a dirty joke, a wind turns into a tracheotomy, a boat turns into a corpse.
I suffer for birds and fireflies but not frogs, she said, and threw him across the room. Kaboom! Like a genie out of a samovar, a handsome prince arose in the corner of the bedroom.
I did not know the woman I would be nor that blood would bloom in me each month like an exotic flower, nor that children, two monuments, would break from between my legs.
And within the house ashes are being stuffed into my marriage, fury is lapping the walls, dishes crack on the shelves, a strangler needs my throat, the daughter has ceased to eat anything.
the heart, this child of myself that resides in the flesh, this ultimate signature of the me, the start of my blindness and sleep, builds a death crèche.
Images are probably the most important part of the poem. First of all you want to tell a story, but images are what are going to shore it up and get to the heart of the matter.
Oh sharp diamond, my mother! I could not count the cost of all your faces, your moods that present that I lost. Sweet girl, my deathbed, my jewel-fingered lady...
Blind with love, my daughter has cried nightly for horses, those long-necked marchers and churners that she has mastered, any and all, reigning them in like a circus hand.
The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost new grand pianos. He left a considerable estate when he died.
it was my first doll that water went into and water came out of much earlier it was the diaper I wore and the dirt thereof and my mother hating me for it
You cutting the lawn, fixing the machines, all this leprous day and then more vodka, more soda and the pond forgiving our bodies, the pond sucking out the throb.
Our checks are pale. Our wallets are invalids. Past due, past due, is what our bills are saying and yet we kiss in every corner, scuffing the dust and the cat. Love rises like bread as we go bust.
I, in my brand new body, which was not a woman's yet, told the stars my questions and thought God could really see the heat and the painted light, elbows, knees, dreams, goodnight.