Aya Cash Quotes

Most of my comedy is accidental, I would say. If I don't know what the joke is, I'm going to play it better than if I do.

I've seen some of my favorite actors give bad performances, and I have to tell myself that failure is a part of success.

You know what, maybe I just want a different kind of life. Maybe I want to open an antique store and coffee shop, and have a different kind of life.

Even though I'm on a show that I love with people that I love - I have basically the dream job - that doesn't mean I'm not getting rejected on a daily basis.

I've always just shown up to set and said the lines, [but] I want to help develop scripts and help cast and help bring a visual tone to something.

As you get older and you progress in your career, you start to want to have more control over things and you have ideas.

You have to find something you relate to in every character.

You never know what's going to happen, so you just continue with your head down and never expect things to start being handed to you.

I think that it's a myth that there's one job that makes your whole career, unless you're winning an Oscar. But even that doesn't work for some people.

Even in success, you're going to be constantly rejected.

I really don't have a specific idea of where I want my career to go, I just have an idea of wanting to continue to work and work on things that I like and think are good.

I work constantly to be better at being rejected.

There's innate competition, I think, between mothers and daughters - mine no more so than anyone else.

I think it's very hard to go into the same business as your family when you're an artist.

We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.

Offers come up, but I'm still fighting for jobs and auditioning and being rejected.

We're all eaters. That's our bond. Let's be real.

I don't know if I'll ever direct, but producing is dipping my toe into my behind-the-scenes world.

The idea of a journeyman actor, people sort of say negatively - "Someone who never made it for real" - [but] I think a journeyman actor is the complete goal.

No one is trying to be bad for the sake of being bad - there's always a reason behind it.

The worst feeling in the world is giving a bad audition.

I feel crushingly embarrassed when I do bad work, so being rejected after doing bad work is actually harder than being rejected after doing good work.

I always knew that I'd probably do something in the arts.

I wanted to be a writer for a while. I was an excellent child writer. I won multiple poetry contests. I was published at age three - I think that was more about novelty than my immense talent.

Acting was something I wanted to work at and put the time into.

If I had a child and she was a girl, I'd hope she'd do something different from me.

The thing I'd miss most is the feeling when acting is going well, when you start a play and you end the night and you look back and go, "What just happened?"

I don't need to be crazy rich and crazy famous. I would just like to keep going.

You have to be kinder to yourself, because it's a part of being good.

In school I really loved Shakespeare, and I participated in a country-wide Shakespeare competition.

What you learn in any acting class is how to make a fool of yourself and enjoy things and get out of your head.