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In a way, I think Roxy Music is high camp, in a brilliant way.
In my research, all roads led back to Oscar. It's definitely in a way trying to understand the truly English element to glam-rock. It really does not come from American culture.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
I always bring it up to my lawyer every now and then. And another reason we have to revisit it is because there is a restoration going on right now for the film through UCLA and Sundance.
I hate the ballplayer who says, 'I did everything I could have possibly done.' Because if you didn't win it all, you obviously didn't do everything you could have done.
The reason we are at the ballpark is to win that day's game, and we don't need to be concerned with anything else during the time we are in uniform. It makes things a lot simpler, a lot easier.
Sometimes when you have limited resources and you really have to think about creative ways to get around some of these problems, generally the end result is better.
Of course, marketing and publicity does an amazing job of prepping everybody for that, but there's nothing like sitting there and experiencing the movie.
I don't want to say that the creativity would give out - I can't imagine what argument I would bring forward for that. But I think that there's something on the individual level that's a limitation.
The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.
To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.
I remember there was someone. Someone to love. Someone to hate. And I was something. Something special. And proud of it. For a time. Then they turned on me. He turned on me. I remember . . . dying.
Ive been fortunate to come on places where the question isnt why did I do it? The question to me is always, why didnt anybody else do it before me? Those are the ones that I scratch my head about.
I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
It becomes pretty crystal clear once you watch that first assembly [movie cut] the things that are just grinding it to a halt, so to speak, or slowing it down, or getting in the way, yeah.