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The greatest multiplex in the universe is inside your mind, and the only ticket you need is a good, well-written novel.
My childhood was surrounded by books and writing. From a very early age I was fascinated by storytelling, by the printed word, by language, by ideas. So I would seek them out.
In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story.
One of my ambitions has been to go back to what those great authors were doing then ... to bridge that sensibility of old Victorian Gothic tales and reconstruct them in a modern way.
The rain was still crashing down, angrily machine-gunning the large windows; it poured through the gutters up in the tower and funneled along the flat roof, sounding like footsteps on the ceiling.
Why is it that the less one has to say the more one says it in the most pompous and pedantic way possible?... Is it to fool the world or just to fool themselves?
I leafed through the pages, inhaling the enchanted scent of promise that comes with all new books, and stopped to read the start of a sentence that caught my eye.
The haunting of history is ever present in Barcelona. I see cities as organisms, as living creatures. To me, Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory.