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I love coffee. I love a midday espresso on set, just for the energy.
I think that half of us feel fraudulent in our lives anyway. There's that strange disconnect of not really knowing what we're doing sometimes, or why it matters. It's our existential crisis.
No matter what people are struggling with, or based on whatever. Sexuality, ethnicity, economic status, size. I don't wish smallness for anyone. It's a terrible place to live.
You can never underestimate that moment of somebody explaining your life to you, something you thought was inexplicable, through music. That was the way out of loneliness.
Practice. Learn and then unlearn - that's the trick in finding your own style of playing. You can't merely emulate, you have to innovate, or at the very least create your own path into the process.
I think short-term goals are important. Trying to set a missive for yourself for the entire year can be daunting, and it can feel too easy to fail or fall short of that.
What I value most in new music today is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
A lot of music for me was about - I mean aside from the fun and challenge of writing and being really good friends with my bandmates - getting to perform.
After Sleater-Kinney broke up in 2006 I had very little desire to play music. It took well over three years before picking up a guitar meant anything to me other than an exercise.
With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
I have no problem spending money on a great meal with friends or a flight to see somebody that I love, versus something like a fancy car. I don't need a fancy car. I don't need a giant TV.