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James's expedition to Scotland is wholly imaginary, though there appears to have been space for it during Henry's progress to the North to pay his devotions at Beverley Minster.
If you think that you are where you are just because you worked hard, it is easy to become self-righteous and make classist moral judgments about others.
Mr. Rochester, I no more assign this fate to you than I grasp at it for myself. We were born to strive and endure - you as well as I: do so. You will forget me before I forget you.
Cinema d'auteur, cinema about people, about emotions. About la difficulté d'être, the difficulty of being, existential problems. That's what the nouvelle vague is. The early '60s was all about that.
The time is approaching when we shall consider it abhorrent to our civilization to allow a human being to die in prolonged agony which we should mercifully end in any other creature.
One of the reasons I don't see eye to eye with Women's Lib is that women have it all on a plate if only they knew it. They don't have to be pretty either.
The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
Memory in youth is active and easily impressible; in old age it is comparatively callous to new impressions, but still retains vividly those of earlier years.
You can take wonderfully talented actors, wonderfully talented writers and producers, and, uh, do a wonderful show!... but if it doesn't hit with the public in two minutes, it's bye-bye.
No severe or prolonged bodily illness followed this incident of the red-room: it only gave my nerves a shock, of which I feel the reverberation to this day.
When we are struck at without a reason, we should strike back again very hard; I am sure we should - so hard as to teach the person who struck us never to do it again.
The writer who possesses the creative gift owns something of which he is not always master - something that, at times, strangely wills and works for itself.
I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward.
Even moving around onstage seemed very artificial. But at the same time you have to make that effort in order to get back to who you are and even accept not moving, if that's who you are.