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I was the classic middle child in some ways, the one who could have been a priest in an alternate universe.
Ive just tried to keep my eyes open, tried to read everything you can, and tried to see whether I see myself within it. If I do, then I can get excited about it.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
Ive always liked the idea of being a father. And Ive always romanticised it, because I lost my father when I was young. In a way, all of the complications that come with my career are about that.
I started working as an actor, semi-professionally, when I was 16, and got my first professional gig at 19. I guess I've kind of worked pretty consistently since then.
It's a strange thing, but you get this click in your brain; the wonderful feeling that the entirety of a character is suddenly available and accessible to you.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
The thing about film is it is a very precise form. You know if you have it and you know if you don't have it. There's not really a middle bit where you're like, "I think we kind of have that scene."
Id never really considered film. If Id thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
I think Africa will have a crisper impact on Europe, as it has traditionally, and then that will filter into the American cultural psyche, in the way that India has.
My father, Arinze Ejiofor , was a musician and a doctor. Nobody's ever asked me about that combination and what growing up in that environment was like.
I started off doing plays as a theater actor. But I never thought of it in terms of it leading anywhere. I was just trying to be the best actor that I could be in the context of what I was doing.