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The movie is a metaphor for the power of delusional hype--a metaphor for itself.
I'm more encouraged by the saplings: new music groups, tiny new venues, entrepreneurial musician-composers who aren't waiting to be discovered but are instead building their own Establishment.
It's easy to say "This year in art sucked." After all, about 85 percent of all shows of contemporary art are bad. But 85 percent of all art made in the Renaissance was bad.
Some reviewed 'The Master' on their knees, and while I respected its distinctive discordancy - can a movie be at once feverish and glacial? - I was unmoved.
The movie's only serious criticism is reserved for Baker's television network, which doesn't think Americans care about Afghanistan - kind of hypocritical given this film's lack of substance.
I have a female colleague who gets annoyed that Tina Fey seems to go out of her way in her movies to deride her looks, as if she weren't such an attractive woman.
Still, you can't complain about the number of movies being made. Never have the means of making movies been so accessible to so many. The problem is getting bodies into seats.
I'd put the most money on Robert Caro's biography of Lyndon Johnson - and not just because we'll probably still be waiting for the final volume in 2017.