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I've always liked being relatively obscure. I feel that's where I belong, that's where my work belongs.
People think about who they are in the stillest hour of the night. I carry this thought, the child's mystery and terror of this thought, I feel this immensity in my soul every second of my life.
I am not particularly distressed by the state of fiction or the role of the writer. The more marginal, perhaps ultimately the more trenchant and observant and finally necessary he'll become.
I think that the massive, overarching, interconnected systems of technology tend to make us a little insecure, somewhat pliable, and susceptible to half-beliefs.
All who have their reward on Earth, the fruits Of painful superstition and blind zeal, Naught seeking but the praise of men, here find Fit retribution, empty as their deeds.
People hurried past, the others of the street, endless anonymous, twenty-one lives per second, race-walking in their faces and pigments, sprays of fleetest being.
The future is always a wholeness, a sameness. We're all tall and happy there,' she said. 'This is why the future fails. It always fails. It can never be the cruel happy place we want to make it.
If the world is where we hide from ourselves, what do we do when the world is no longer accessible? We invent a false name, invent a destiny, purchase a firearm through the mail.
Ask yourself this question. Do we have to be humans forever? Consciousness is exhausted. Back now to inorganic matter. This is what we want. We want to be stones in a field.
For most people, there are only two places in the world. Where they live and their TV set. If a thing happens on television, we have every right to find it fascinating, whatever it is.
I don't want to do the type of writing where I recite biography, parentage and education. I want to rise up from the words on the page and do something, hurt someone.