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No great truth bursts upon man without having its hemisphere of darkness and sorrow.
You know I need a dream Like I need my breath We need to take the life Before we get the death You know I need your love Like I need the light Yes I need the chance Can it be tonight?
And the look on her face as she opened the door Was like an old joke told by a friend. It'd taken ten more years but she'd found her smile And I watched the corners start to bend.
She said I've heard you flying high on my radio I answered "It's not all it seems" That's when she laughed and she said, "It's better sometimes When we don't get to touch our dreams.
I'm a bit of a perfectionist. I want to try it again and again, and a lot of times my fellow musicians have to hold me back and say, "Nah, I think we got it."
I was really young, but I can't say that I wrote much of anything. I liked to scribble; I thought of it as that. But I was playing guitar and ukulele when I was in second grade.
I think that every new record is a chance to... I think what it is for me is my heart and soul at that moment in time... I've always felt that just being able to make a record is a privilege.
In the late 80s, artists could be signed to labels and be nurtured. It wasn't, "We're going to give you one shot, and if you don't measure up, you're gone".
When I started out, it was this sense of, "Let's put out a record and see what happens and see where you go and see how you feel and where we can take it." That was a very different world back then.
I don't remember a voice On a dark, lonesome road When I started this journey so long ago I was only just trying to outrun the noise There was never a question of having a choice
I certainly felt the desire to reach as many people as I could; I wanted to make the most of this opportunity, sure. But I wouldn't call it pressure the way we're thinking of it now.
So I think that if I do feel more freedom right now in my career, it's not so much because I have less at stake but more a sense that I've learned more.
The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show.
My musical heroes are people like Pete Seeger and Woody Guthrie who wrote and sang real songs for real people; for everyone, old, young, and in between.
At the bottom of a good deal of the bravery that appears in the world there lurks a miserable cowardice. Men will face powder and steel because they cannot face public opinion.