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Movies without meaningful dialogue play well all over the world. The Apostle is probably the best movie of the year, but it won't do squat in Korea.
A period recourse into the wilds is not a retreat into secret silent sanctums to escape a wicked world, it is to take breath amid effort to forge a better world.
Wilderness is two things-fact and feeling. It is a fund of knowledge and a spring of influence. It is the ultimate source of health-terrestrial and human.
However useful may be the National Parks and Forests of the West for those affording the Pullman fare to reach them, what is needed by the bulk of the American population is something nearer home.
This means that I don't have to run faster than the psychotic-maniac-vampire-cannibal, I just have to run faster than whoever is with me when the psychotic-maniac-vampire-cannibal starts chasing us.
The fame which bids fair to live the longest resembles that which Horace attributes to Marcellus, whose progress he compares to the silent, imperceptible growth of a tree.
The effusions of genius are entitled to admiration rather than applause, as they are chiefly the effect of natural endowment, and sometimes appear to be almost involuntary.
Time sheds a softness on remote objects or events, as local distance imparts to the landscape a smoothness and mellowness which disappear on a nearer approach.
My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.
And if you want to know why great editors scare the pants off of writers everywhere, read 'Eats, Shoots and Leaves' by Lynne Truss. The punctuation police are everywhere!
Twilight is about getting older and relationships - not about a murder mystery. It's about love when you reach a certain age; nothing is in primary colors.