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When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
I'll always be grateful for the dream season of 1986. In a corner of my mind I will stand forever with my bat cocked, waiting for the two-one pitch from Calvin Schiraldi.
That's what every young kid thinks about when they first put on a uniform - is to play in the Major League and then, ultimately, play in a World Series. To me, that was the ultimate, winning in '86.
There needs to be a similar degree of flexibility and generosity in the recognition of the humaneness and worth of people who we generally consider as adversaries.
If I become President, I'll make every piece of information this country has about UFO sightings available to the public, and the scientists. I am convinced that UFOs exist because I've seen one.
Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They played one of my most advanced pieces, and one of my most unusual ones on the radio.
Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.
As everyone, you do end up becoming your mother, but also as you're acting, I find out you become every member of your family, bits come out without you really wanting them to come out.
The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
When I was 6 years old, I was in a rock band that was horrible called 'Dead End.' The name kind of described us. People liked us; we would go and perform at coffee houses and stuff.
You can talk so much. The proof is how you compete to the guy next to you and if a guy makes a mistake, you've got to be there to pick him up and not put him down.
My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.