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You're my special angel, sent from up above. The Lord smiled down on me, and sent an angel to love.
It has been said that a rolling stone gathers no moss. I would add that sometimes a rolling stone also gathers no verifiable facts or even the tiniest morsels of journalistic integrity.
I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.
I love travel. I love to go spend time in new places. And even though I got horribly sick in Thailand, and it was the sickest I may have ever been in my life, I still loved the trip.
Probably my favorite thing about watching a movie that I'm in the first time is to see all the things I didn't know were happening in a scene around me.
With the tiger you're always on edge, and you always have to keep your distance. The monkey is far less threatening so you're more relaxed around the monkey, and I think that's actually hazardous.
I'm sure I cause just as much consternation for editors as any other actor, it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.
As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting, I'm just aware in the back of my head what an editor might want.
Sometimes you just create a joke out of thin air in the editing room. I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.
No one employed [ chaos] better than Jim Henson, by the way, on The Muppets. He had all these chicken Muppets that just brought in the most glorious chaos to whatever scene they were a part of.
Let's just say it was damn hard [to make the Hangover]. I've got the bumps and bruises to show for it. It's funny because things that don't even look that bad on screen were still extremely painful.
When I was 15 I lost a tooth and had an implant put in. Cut to 20 years later, I'm doing this part [Andy Bernard] and the script calls for my character to lose a tooth.
Whenever I've messed around with radio-controlled things, there's always been a part of me that's thought, I wonder if there might actually be a little guy piloting these vehicles.
You see a lot of sides of people on a movie set because it can be really taxing and to kind of go through all that together - you really get to know someone.
I told personal stories the way [Bill] Cosby would spin a yarn for ten minutes. I think in hindsight it works better as a long story than as a condensed monologue.
Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.
When you're playing a fictional character reacting to the real world, it's incredibly difficult and confusing and kind of messes with your values a bit.