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I dont want to show clothes, I want to show my attitude, my past, present and future. I use memories and future visions and try to place them in todays world.
The regenerated do not go to war, nor engage in strife. They are children of peace who have beat their swords into plowshares and their spears into pruning forks, and know no war.
When it's only clothes, that is not satisfying enough for me. I don't think I could do this for 10, 20 years if that was all. It also has to be about a psychology or a mentality or a concept.
Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.
I don't see Dior as something that could become mine. I see it as a dialogue with the women who wear it. I want to stay connected to them rather than to an abstract brand.
We walk alone through this world, but if we're lucky, we have a moment of belonging to something, to someone, that sustains us through a lifetime of loneliness.
If there is God, I thought...Please some day let me make love to this girl while she wears that dress." "Oh..." "Tatiasha...isn't it nice to know there is a God?
I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
We’ll meet again in Lvov, my love and I…” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young.
Shura...are you...in love with me?" "Turn to me," Alexander said. She turned. "Tatia, I worship you. I'm crazy in love with you. I want you to marry me.
We can’t forget that I owe you my life.” She gazed at him. “We can’t forget that I belong to you.” “I like that sound of that,” Alexander said, hugging her tighter.
You do what you do. Or you do what you have to do. I don't know how to explain it better. I think that in the moment, you can't see connections, but sometimes afterwards you do.