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In painting you must give the idea of the true by means of the false.
I felt so insufficiently equipped, so unprepared, so weak, and at the same time it seemed to me that my reflections on art were correct. I quarreled with all the world and with myself.
People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.
A picture is a thing which requires as much knavery, as much malice, and as much vice as the perpetration of a crime. Make it untrue and add an accent of truth.
One reproduces only that which is striking; that is to say, the necessary. Thus, one's recollections and inventions are liberated from the tyranny which nature exerts.
Once they witnessed one of his painting sold at auction for $100,000. And asked how you do it, he said, 'I feel as a horse must feel when the beautiful cup is given to the jockey.'
These women of mine are decent, simple human beings who have no other concern than that of their physical condition... it is as though one were watching through a keyhole.
It requires courage to make a frontal attack on nature through the broad planes and the large lines and it is cowardly to do it by the facets and details. It is a battle.
I always urged my contemporaries to look for interest and inspiration to the development and study of drawing, but they would not listen. They thought the road to salvation lay by the way of colour.
A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.