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The predominant difference between television and film is the pace to which you work, but the development of the character or the process for playing the character isn't necessarily different.
["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.
People are so prejudiced against bisexuals. It's like the only group of people you can still make fun of. Bisexuals ... and Germans. And I happen to be both of them.
When you have an animal in your home, a relationship forms very quickly, where that animal ceases to be an animal to you. It feels like a member of your family.
So, as much as it is about this continuing war, the reinstated draft, and their individual views, it's really sort of a deeply human tale, and a character study as well.
It's always nice when you get a chance to actually work with the other actor. It just brings the scene to life, in a way that's not as easy to replicate on your own.
[Sundance is] giving people a chance - many first-time filmmakers. It carries that weight - if you bring something here, people connect with it and it can launch a career.
I suppose I've been working for a long time, so I've seen all kinds of filmmaking. I can fit into anything, and it doesn't feel that weird or that fascinating.
I think as a music listener you have your rock and roll dreams. I personally wouldn't want to apply that necessarily, mainly because I love music too much to mess it up.
I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.
I credit my mom Debbie for creating a solid family base, ... She gave me a strong sense of reality so I could avoid falling into the normal pitfalls of child actors.
I'll play a character who is getting married to a woman to avoid the draft. Ultimately they fall in love with each other, but at first it's only out of practicality.
Tell me, Anna, if man is capable of projecting his belief onto the cosmos, isn't it possible by the same token, that he can project his unbelief onto the cosmos?
She’s all the blood I’ve ever shed. She’s every time I’ve ever thought of death. She’s every time I’ve ever looked at happiness and thought, ‘That’s not meant for me.
I have my gun and my bible under my pillow, having to fight physically and spiritually is a foregone conclusion, I will kill whoever comes to kill me, no mercy.