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To set but a low value upon toast is to expose one's deficiencies in right appreciation.
Aig [F.-M. Sir Douglas Haig] 'e don't say much; 'e don't, so to say, say nothin'; but what 'e don't say don't mean nothin', not 'arf. But when 'e do say something--my Gawd!
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
There wasn't much as a kid that inspired me in what I did as an adult, but I was always very interested in what motivates people, and in telling stories and building things.
I am more of a visual person than a verbal person. For me, I think, the excitement is the fact that I found a way of telling the story as I want to tell it, in a medium that I could master.
A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night.
Even in high school I was very interested in history - why people do the things they do. As a kid I spent a lot of time trying to relate the past to the present.
I grew up in San Francisco. And so I'm informed in a certain kind of way about, you know, believing in democracy and believing in America. And I'm a very ardent patriot.
Young people don't have a fantasy life anymore, not the way we did. All they've got is Kojak and Dirty Harry. There's all these kids running around wanting to be killer cops.
The sciences are the 'how,' and the humanities are the 'why' - why are we here, why do we believe in the things we believe in. I don't think you can have the 'how' without the 'why.'
All art is dependent on technology because it's a human endeavour , so even when you're using charcoal on a wall or designed the proscenium arch, that's technology .
No film ever ends up exactly as you would like it to, but with minor exceptions, THX came out pretty much as I had visualized it, thanks to some excellent assistance -- and a whole lot of luck.
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography.