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Everything big-budget or stereotypical I was offered after 'Slumdog Millionaire' was a huge no-no.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
I didn't really enjoy modeling in Bombay. I floated through it in the hopes that I would get my ticket to the next big thing. There was no real joy that I got out of it, to be really honest.
In terms of romantic films, all-time romantic films, I really like 'Gone With the Wind.' And I realize I sound so cliched saying that, but there's something so absolutely romantic about it.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
I find it very interesting these days that films are bringing in so many people of different ethnicities, and I'm proud to be a part of that cultural shift.
I went to an all-girls' Christian convent school run by nuns. It was fun, but when I was 15, I said, 'Mum, that's it - I need to go where there are some boys.'
I've learned to develop a thick skin, but you're bound to be affected when you read something bad about yourself in the paper and it's rubbed in your face over and over.
I find it very hard to say yes or no quite openly, because people are never satisfied. One day they write us off as saying we're not together and the next day we're together and getting married.
When a doctor is performing an operation, his mind cannot be somewhere else. And it's the same with actors. You have to commit yourself mind, body and soul to a project in order to do justice to it.
I am very direct, to the point that I think I might make people uncomfortable! I do not know how not to be direct. I don't think there's time to waste.