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There can be no happiness if the things we believe in are different from the things we do.
This is one of the charms of the desert, that removing as it does nearly all the accessories of life, we see the thin thread of necessities on which our human existence is suspended.
You will, if you're wise and know the art of travel, let yourself go on the stream of the unknown and accept whatever comes in the spirit in which the gods may offer it.
The unexpectedness of life, waiting round every corner, catches even wise women unawares (...) To avoid corners altogether is, after all, to refuse to live.
Most people, after accomplishing something, use it over and over again like a gramophone record till it cracks, forgetting that the past is just the stuff with which to make more future.
A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
A part of all art is to make silence speak. The things left out in painting, the note withheld in music, the void in architecture - all are as necessary and as active as the utterance itself.
If we are strong, and have faith in life and its richness of surprises, and hold the rudder steadily in our hands. I am sure we will sail into quiet and pleasant waters for our old age.
the main necessity on both sides of a revolution is kindness, which makes possible the most surprising things. To treat one's neighbor as oneself is the fundamental maxim for revolution.
every word calls up far more of a picture than its actual meaning is supposed to do, and the writer has to deal with all these silent associations as well as with the uttered significance.
The Persian's mind, like his illuminated manuscripts, does not deal in perspective: two thousand years, if he happens to know anything about them, are as exciting as the day before yesterday.
I first noticed how the sound of water is like the talk of human voices, and would sometimes wake in the night and listen, thinking that a crowd of people were coming through the woods.
The essence of travel is diffuse. It is never there on the spot as it were, but always beyond: its symbol is the horizon, and its interest always lies over that edge in the unseen.