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My characters are never heroic. They are mostly lost and trying to find the right door to open and they end up opening the wrong doors.
falling in love is the most natural thing in the world. Everybody has been through it, everybody has scars, everybody wants to restart falling in love.
If you're a Bosnian and suddenly you get attacked by the Serbs, there's just one way of getting rid of your opponents. It's taking revenge and trying to fight as hard as you can.
Tokyo is like a huge futuristic pinball machine. It's like a bubble with two lost creatures inside a pinball machine that doesn't care about them. The other thing is, it's very colorful.
I felt attacked because people rejected me. They didn't say "we can give you money to do something else if you want," they just said "no, this movie cannot be done" and I said "okay, so I'll do it!"
I think that in the American film industry - or even in the European cinema - movies are made not to disturb any kind of class or any kind of minority.
If I had a kid, and someone had touched my kid, I am sure that if I had a gun or a knife, I would go and stab the person who I supposed touched my kid.
In North America someone who doesn't know anybody, he can go... you can be respected for your own identity. It pushes your personality to become stronger.
I'm sure if you were a Bosnian during the war, you would wish to kill Serbs. Just because it is the opposite of you and because they're aggressors. And also, it happens to me when I get attacked.