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Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
I do not like the idea of happiness - it is too momentary - I would say that I was always busy and interested in something - interest has more meaning to me than the idea of happiness.
Now and then when I get an idea for a picture, I think, how ordinary. Why paint that old rock? Why not go for a walk instead? But then I realise that to someone else it may not seem so ordinary.
I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
I never knew [Alfred Stieglitz] to make a trip anywhere to photograph. His eye was in him, and he used it on anything that was nearby. Maybe that way he was always photographing himself.
It always seems to me that so few people live - they just seem to exist and I don't see any reason why we shouldn't live always - til we die physically.
Whether the flower or the color is the focus I do not know. I do know the flower is painted large to convey my experience with the flower - and what is my experience if it is not the color?
The simple fact of yourself... there it is... just you... no excitement about it... a very simple fact... the only thing you have... keep it as clear as you can.
Sometimes I start in a very realistic fashion, and as I go on from one painting to another of the same kind, it becomes simplified until it can be nothing but abstraction.
I am not an exponent of expressionism. I don't know exactly what that means, but I don't like the sound of it. I dislike cults and isms. I want to paint in terms of my own thinking and feeling.
I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
When you get so that you can't see, you come to it gradually. And if you didn't come by it gradually, I guess you'd just kill yourself when you couldn't see.
When I found the beautiful white bones in the desert I picked them up and took them home too...I have used these things to say what is to me the wideness and wonder of the world as I live in it.
Did you ever have something to say and feel as if the whole side of the wall wouldn't be big enough to say it on, and then sit down on the floor and try to get it onto a sheet of charcoal paper?
Bement was a very good teacher but he was a very poor painter. I guess he wasn't a painter at all. He had no courage and I believe that to create one's own world in any of the arts takes courage.