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I wanted to be a brain surgeon, but I had a bad habit of dropping things.
A man goes to the doctor for a check, and the doctor exams him and says I've got bad news, you've got cancer and alzheimers. The man goes Thank god I don't have cancer.
I was talking to Jesus, and I said, Jesus, I feel like no one will ever accept me. And Jesus looked at me and said, You know what my theory is? Accept me or go to hell.
Every time I give a straight answer and read it in a magazine, I say, 'Ouch.' One day I'd like to talk to a psychoanalyst about why celebrities reveal so much of themselves in interviews.
Comedy historians take note: this Gottfried character doesn't have the best eye for detail - and, for a Jew, he doesn't have the best eye for retail, either.
One pleasant surprise was when I interviewed Butch Patrick. I was expecting this bitter old drunk, and instead he had a total sense of humor about his career and his drinking and drug problem.
My Bubbie lived to 104, which is probably a little too old to consider a ripe old age, because she had already started to turn. I still say she died young.
I was the class podiatrist. I never made it to class clown. I wasn't funny enough. I would examine feet and prescribe and ointment. It was a sad childhood.
I find Washington audiences are basically the same as every other audience; they watch me and go, 'Who's idea was it to go see him? And is it too late to ask for my money back?'
I don't know if I change my act from century to century. Sometimes I'm onstage doing imitations and references to people who have been dead for 50 years.
I've never understood people who say they're not a practicing Jew. You never hear a black guy say he's not a practicing African-American. What does it even mean?
If you're a lead actor, people are just waiting to say 'you're too old' or 'you're too unhip.' If you're a supporting actor, you can just work forever.