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I'm all for whatever transitions the book properly to a movie.
My imagination is more tweaked by imagining the lives of the people who were there before us. I don't need to give myself the willies. I'm quite good at that - I can freak myself out wherever I am.
I like the discipline of writing a script. You can't go into the character's head - you have to find these creative ways to help externalize what they're thinking.
In Los Angeles, sometimes it's hard to find a magazine stand, let alone one that has the magazine that you want. So I find that the longer I live in L.A., the more digitally I consume.
My inners are not organs. They're actually mechanics, so I have a hole in my back, wind me up like the movie 'Hugo,' and then just say, 'Act,' you know?
In sixth grade, we all had to write this opinion paper. Most wrote about things like why we should be able to chew gum in class - I wrote about why women should receive equal pay.
I think, you know, when you're an actor who's had periods of unemployment, it makes you feel really good to have a job - to say that you're expected somewhere, do you know what I mean?
I've thought a lot about how if something horrible happened, and if it were like 'The Road' situation, I've decided I don't want to survive past the death of society as we know it.
I've always wanted to work with Elizabeth Banks. She's so talented and funny, and she's become this force of nature - directing, producing. Being around her is kind of inspiring.
I had kissed a girl in the second season of 'Community,' but that was my first time kissing a girl ever, and I was so nervous, I almost knocked Brit Marling's teeth out.
I've gotten super into restaurants in L.A., so I try to go to different restaurants all the time that's a good way to explore L.A.: you can drive to a restaurant and discover a new neighborhood.
It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.