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I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.
Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.
I'm definitely not non-chalant. I have to leave nonchalant at home when I'm working on something, otherwise I just don't feel like I'm committed, and I've gotta be fully committed.
Just because there are things I don't remember, doesn't mean my actions are meaningless. The whole world doesn't just disappear when you close your eyes, does it?
The majority of people who join law enforcement are doing it for good, moral reasons, but then there are the few who get through, where you go, 'Whoa, hold on a second. What's this guy doing here?'
The thing I've come to learn is that what's great about small independent films is the intimacy and the communication that occurs when you're making them.
There's something about the American sensibility that kind of hails people in the public eye. You have a star system. You have that kind of thing where you say, "Good on you for doing that."
Because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
It's funny, though, with films, because you can incorporate a variety of elements, and sometimes that can work for you and sometimes I think it can work against you.
When I go to a movie, I'm always thrilled if I've seen an actor do something and I didn't realize until the end of the movie that that was that person. I love that.
When I read something, I want to be surprised. So I read something and go, "Wow, I never, ever would have thought of playing this kind of role. This is exciting me, let's go do this."
I didn't know what the path was that I wanted to be as an actor, to be honest. I've been doing a lot of theater since I was a kid, so I was just sort of taking opportunities.
I can be fairly optimistic, but I'm probably more a realist, I think. I mean, optimism's an interesting quality, isn't it, because I'm always slightly dubious as to what's behind it?
I do have aspirations when it comes to directing, I suppose, but in a sort of a vague way. It would probably come about if I found a project that I really felt passionate about.
Even though I've done a lot it also feels like I haven't done a lot. I've sort of popped in for supporting roles in things, and that's been really delightful.
I think as an actor, or any artist, you move with your moods and you express what's going on for you, and you answer to that voice within that's calling for particular things.
I don't want to make a habit of just playing small roles, because I really enjoy the process of being part of a film and staying on it for the length of time that everybody else is as well.
You can have a great time on a film and the chemistry can seem great but then you look at the finished film and it just doesn't quite gel, something doesn't quite work.
It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away.
I've not often been a man of many words. I've never considered myself to be overly articulate. I do feel more comfortable acting something out than I do explaining something or whatever.
English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.