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If I had, say, a tall, amateur male lead living on the campus of a rural college (Six Years), the next book might feature a short, cop who lives in the heart of Manhattan (Missing You).
The actual writing time is a lot shorter than the thinking time. I don't do too many notes. I keep it mostly in my head. I usually start writing a new book around January, and it's due October 1.
Life may not always fall into neat chapters, and you may not always get the satisfying ending you're looking for, but sometimes a good explanation is all the rewrite you need.
We all think that we are uniquely complex, that no one can see what we are thinking - yet we also believe that we have the rare ability to read others. This fascinates me at the moment.
There is the old catch-22 line that a mentally unstable person can't know, as per their illness, that they are unstable. But that was wrong. You can and do have the insight to see your own crazy.
Its funny how you can let yourself forget for seconds, how even in the heat of the horrible, you can have moments when you fool yourself into thinking it might all be okay
The most annoying and full- of- crap thing a writer says is, I write only for myself, I don't care if anyone reads it. A writer without a reader doesn't exist.
I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
A friend once told Megan that we are always seventeen years old, waiting for our lives to begin. More than ever, clutching to this man, Megan understood that.
He tried to read, but the words swam in front of his eyes in meaningless waves. He put on the television. Nick at Nite, the cultural equivalent of aerosol cheese.
You want to put people in neat categories, make them monsters or angels, but it almost never works that way. You work in the gray and frankly that kinda sucks. The extremes are so much easier.
'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.