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I'm attracted to pathos, because life is mostly pathos. I've had a lot of it in my life.
I started in 1946 in radio. I was ten years old. I was discovered singing in a school play. Someone was in the audience and it's six degrees of separation.
The fact that that's the difference between Mexicans and Cubans is pronounced. It's so immediately recognizable, the way a Cuban speaks, the way a Cuban moves the hands.
I don't wonder about anything. I'm too old to wonder. I think the most important thing is to wake-up with a pulse. I look in the obituary columns. If I'm not in it, I get out of bed.
I used to work, part time, in a deli, in those days when your parents made you work just so you should know what work was like. And you'd make 4, 5, 6, ten dollars.
During the darkest periods in recent history, of course, the most subversive things you could do is think, read if you can get the material and remind yourself that love exists.
After you free yourself from the incredible expectations of love through the media from the time you were so high, you realise that it's the spaces between the notes that make music.
I love Russian, because it's delicious to speak like that. If you have to speak French, you can also do that, because it's not difficult. Accents are a cool thing to do. And I love doing them.