Howard Shore Quotes

Music is essentially an emotional language, so you want to feel something from the relationships and build music based on those feelings.

You can find the whole world of a film in one instrument, or you can find a world of sound in the orchestra.

I have to feel something emotionally on the story to be able to write for it. I turn things down if I don't feel I'm really right to tell that particular story.

The art of making films is a collaborative art. As a composer, you're always working with the cinematographer because he's so much the heart of the world they've created on film.

Film music really is about point of view and you can shift it wherever you want really depending on how you look at it.

Sometimes you want to use the music in a clarity way to explain something in the film.

When you're working on a film, it's intense and it's very all-consuming. There's not something in particular.

Theater and film are essentially the same - just different kinds of storytelling.

I've been writing music since I was 9. I took harmony and counterpoint classes when I was studying the clarinet. So, I've been writing for an awfully long time. It just became part of everyday life.

I live in Tuxedo Park, N.Y. and spend time in the West Village, where my wife Elizabeth Cotnoir, a writer-producer and documentary filmmaker, has an office.

When you start on a new film, no matter how many you've done before that, I think I've done close to 80 films, but it's always kind of a fun adventure.

Piano is very elegant. I also think it's a very truthful instrument.

The piano is really the featured instrument of a 10-piece chamber orchestra. The construction is the harmonic language.

I like to do a lot of research on all of the films I work on. So, I like to read a lot. That's always an interesting part of it with me.

I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.