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Hoodies are definitely street wear, no doubt. It's amazing how hoodies have become such an important staple in people's wardrobes.
Usually when I see Matthew [McConaughey] at a show, he'll be down in front with his shirt off with two beers just going mental, lit up and having an amazing time.
You come out of a working-class environment, you know, working-class kids always put them themselves together because it's one of the only things they had. You had control of your image.
I used to make all my clothes when I was in Southern Death Cult [the first incarnation of The Cult]. I still make things to wear on stage and I am involved with sketching, choosing fabric, cutting.
I've seen people wearing clothes that don't look good on them, but they're really loving those clothes and the experience of wearing those clothes. Fine. At the end of the day, it's fashion.
I have no desire to be a lead actor or anything. I was offered things and occasionally something comes along, but for the most part I'm pretty much, "You've got to be joking, right?"
It's not about mainstream global domination. I make clothes that I can't find. I made a few pieces and Lupe Fiasco bought a pair of trousers I'd made, and a few other artists picked some up.
I'm not really caught up in the whole commercial thing of Christmas. I'm probably more of a pagan than a Christian, but it's hard not to get caught up in it.
If you want to go put on a bathrobe and go walk down the street, excellent. I think it's more about trying to get an individual style than trying to get a uniform look.
There's always music sitting around, but when you're cultivating music, the idea of getting into a studio and compressing it to get something out on time can be really good.
I think the thing that would interest me would be to appear in a period piece where you'd get to dress in an elaborate costume and say nothing but just look fabulous and have a fancy role.