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I never said I had no idea about most of the things you said I said I had no idea about.
A great nation like the United States has many and varied interests, and we need both to do business with tyrants and to engage constantly in multilateral diplomacy.
Mass killing has very clearly not been eliminated, nor has the 'international community' developed a response that will avert it or bring it to a quick end.
Reformist kings can save their dynasties now by helping their countries move smoothly into democracy, or they will end their years in exile like the Russian aristocrats of a century earlier.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
All I know is that I've made some big screw-ups, and I've done some things that have done all right. I just keep trying to learn from the mistakes I've made.
I think that even if you're wondering if two characters are ever going to kiss, drawing out the inevitability is part of the fun. Whatever the genre happens to be.
Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
But I'm grateful for everyone who would want to read a spoiler because it means that they care and want to see the movie. I know what it feels like, as an enormous Star Wars fan myself.
Approaching any movie with a three in the title you know you are not going to get a political polemic. You are not going to get some sort of political statement or ultra-deep message.
On movies like Star Trek and Star Wars, you have so much that will be created or extended digitally, and it's a slippery slope where you can get lost in a world of synthetic.
I'm not as optimistic as Gene Roddenberry was. I fall somewhere in the middle. But as a romantic, I like to think things are going to get bigger rather than worse.
Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
All the times I've been lucky enough to be a part of a show that's actually gotten on the air, it's always that same mixture of excitement and utter fear.