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I want kids to understand that making pictures is similar to making music; there are so many instruments and so many tunes that the possibilities for how you play are truly limitless.
I wanted to show that an African-American artist could make it in this country on a national level in the graphic arts. I want to be a strong role model for my family and for other African Americans.
I've always felt that if I worked hard enough and continued to refine my craft, while staying curious about our times and our world, I just might have something to contribute.
I never demonstrate how art should be made or what the outcome should look like. Instead, give kids the tools and the materials to make their own art. Have them experience the process.
If you do the best work you can, the reward is ultimately your self-satisfaction - the sense that you have done the best you can. And then there's that piece of how others respond.
I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.
African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.
If I were to give myself a pat on the back, it would be for sticking with bookmaking as my primary way of expressing myself over the span of fifty years.
Part of what I'm doing with generations is that I try to express in my work pieces of my growing up years that I can look back on with great fondness - specifically, a sense of family.
I've tried to use the recognition as validation that I'm doing the kind of work that people are interested in and to feel that my work is a contribution.