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Only when you leave do you appreciate what binds American people and our cultural experience together.
The truth is that an intellectual life is available to almost anyone, almost anywhere, if they work hard enough and are given some kind of access point.
I was raised with opera and very white-bread folk music like The Kingston Trio. That was about as daring as it got. So when I discovered hip-hop as a teenager, at first it made no sense to me at all.
I had a lot of expectations placed on me because I was already having some success with my short stories. That was not a good situation to be in. That by itself took a long time to overcome.
There is something very quiet and reserved and pessimistic about Obama's temperament that is deeply un-American. There are those people who claim, "Oh, he wasn't born here" - all that is nonsense.
The politics of transgender identity are really complicated. And the debate over how much of gender is biological and how much of it is socially constructed is a very complex debate.
For me, there's a very clear parallel between the practice of insight in Buddhism and what's called prajna - the insight that arrives through meditation.
Narrative stories are nothing but models of karma and causality - how one thing leads to another. And a lot of narrative fiction is about causality that we don't immediately understand.
I was relatively isolated from people of color. My parents are too old to be Baby Boomers; they had me later in life. So we didn't listen to any black music at all in the house, not even Ben E. King.
I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.
A writer needs four things to achieve greatness, Pasquale: desire, disappointment, and the sea.” “That’s only three.” Alvis finished his wine. “You have to do disappointment twice.
If you come from money and you become an addict, you go to the Betty Ford Clinic, you get treatment. If you're living on the street and you're an addict, it's much harder to find your way out.
The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.
At peace? Who but the insane would ever be at peace? What person who has enjoyed life could possibly think one is enough? Who could live even a day and not feel the sweet ache of regret?
I think the path to becoming a writer has become more through the novel. It's easier to get a novel published than a book of stories, obviously, especially through big publishers.
You probably have to trust that your work is following certain themes and certain movements, but then the rest is a kind of piecing together so that the whole becomes larger than the parts.
If you're having a bad day already and everybody is just asking you petty questions, it drives people to the edge, or something really small will have a really large effect.