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A lot of poets too live on the margins of social acceptance, they certainly aren't in it for the money. William Blake - only his first book was legitimately published.
When I get depressed, or anything, I go 'think of all the music I haven't even heard yet!' So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
I'm like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas.
Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent
When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me.
If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
In the words of the ancients, one should make his decision within the space of seven breaths. It is a matter of being determined and having the spirit to break through to the other side.
I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.
Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.
I have a real respect for tobacco as a substance, and it just seems very funny how the Western attitude is, "Wow, people are addicted to this, think of all the money you can make off it."
I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
When I'm trying to imagine something, I have a few elements, a few ideas, maybe a certain actor or actress I want to create a certain type of character for, or maybe a certain place.
[Kenneth Koch] taught us to be playful, to be very appreciative of other poets, to appreciate all forms of expression. He taught us to be experimental.
The beauty of a movie is that you walk in, you don't know anything about it, you enter a world that's new to you, and that's the magic of being transported.
My films are about the little things that happen between people that are sometimes far more valuable and insightful than the big dramatic things that happen.