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The neglected legacy of the Sixties is just this: unabashed moral certitude, and the purity -- the incredibly outgoing energy -- of righteous rage.
I don't think that my work appeals that much to the hard-core, avant-garde film audience. They appeal to people who teach film and those establishment figures on the East Coast.
I'm very encouraged. This is progress. There are two or three ways to combat homophobia - one is through humor. The second is to put a face on it. People are becoming much more enlightened.
I had that perfect deadpan ... for these commercials. Within the first eight months I had eight national TV commercials. I'm a true Hollywood success story - knew no one, had no connections.
It is said that the offender never forgives. Certainly it is quite explicitly hard for the one in the wrong to do so. And it takes more spiritual asset than continued alcohol often leaves.
Now if I cry on screen I think it's mint. Because I think that's how that person would feel at that time. And if it doesn't, then it just doesn't happen.
Honestly, I'm a firm believer in the next generation of filmmakers. It's very important to keep things fresh, new, current. They have a pulse on what's important today.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.
As an actor, you never want to feel like a tool. You never want to feel like, "Hey, just come here, say this, stop here, look this way," and that's it. You want to have a little input.
I think every guy that's dated a girl or hasn't been straightaway into a relationship has had that 'so...' moment where a girl is like, 'Hey what are you doing?'
Creating the opportunities for other people and solid projects, things that I like, for sure, definitely. Acting I'll do forever, but I want to produce as well.
If somebody comes up and they're African American as Mike is, and they're extremely talented as Mike is, they say, "Oh, yeah, he's the next ..." I think that it points to disparity.
What I was interested in [Fruitvale Station ] was one guy and his life and how that related to all of our lives and the fact that it ended unnecessarily and what the fallout from that was.
My mother's in my life, but at the time you imagine your mom passing away, not being there ... as a kid you try to think of something that hurts you the most ... It was just a tool [in "Hardball"].
Johnny Storm is such an iconic character. There's a lot of personality traits and things to him that people are really going to look forward to seeing.
You substitute certain things from your own personal life to get you to that mental place and that emotional state. At that time [Brian Robbins] went for the home run, the grand slam [in "Hardball"].