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I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.
You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.
The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead.
Black and white is much closer to the condition of dreaming. It links you to the subconscious and I think that was part of the great appeal of movies originally.. this strange otherness.
It's so easy to manipulate an audience, but it's nearly always clear that you are being manipulated. I think even people that are not critically attuned are aware of cynical manipulation in film.
I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
I love green. Green is the color of nature, trees. I'm a tree freak. I spend a lot of my time planting trees, nurturing them, and studying them. It's one of the colors I couldn't live without.
There are always forces at work in a society, which are really forces of censorship - either religious bodies or zealots who are always putting pressure on things, whether it's books or art or film.