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The more you do stuff, the better you get at dealing with how you still fail at it a lot of the time.
I plan to join the 'SNL' band as a maraca player and stand behind saxophonist Lenny Pickett. That way they will at least cut to me before commercial breaks. I'll be sure to look right into camera.
Comfort is everything. You start doing something and you want it to be perfect right away, but most babies are born ugly and then they shake it out and you get beautiful toddlers.
I like making fun of myself a lot. I like being made fun of, too. I've always enjoyed it. There's just something really, really funny about someone tearing into me.
Stand-up for me is just my opinions on things, so it wouldnt be as fun translated into a sketch. Nor would a sketch be as fun if it were me standing there saying it.
I definitely look like a toddler. I feel comfortable and I have a lot of fun out there [John Mulaney Show]. And if I were to be extremely egotistical, I'd say I got a tiny bit better.
I remember writing standup jokes without having done sets. But as soon as I did my first set, it didn't matter. Everything I thought would work didn't work. And everything I was iffy on was funny.
It was funny to be an emcee, because you're so at the mercy of the club. You can show up for the weekend hoping to get the $400 - and get fired. I had to prank whoever they told me to prank.
I've done festivals in the past where I'd be a guest, it was like, Wow, maybe someday I could play Town Hall - but that'll be a long way off. So it's very exciting.
There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.
I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.
Having done stand-up on television and in stand-up specials for like Comedy Central, you learn quickly that for that type of performance you're playing to the camera.
I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.
I wish I could go tell 12-year-old me like I don't worry that you just fainted in front of all the girls, one day you'll be able to make this into an episode of TV.
As I got into high school and after puberty, I was a little more inward. I was a real extrovert when I was little, but I don't know, I just got quieter With my friends, I was still an extrovert.
On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.
If something is very, very funny but possibly controversial, if it's truly funny, then it's worth doing. Things aren't worth doing for the sake of being controversial.
An episode that is near and dear to my heart is the entire cast in one room for the night because we get bed bugs in our apartment building so we have to stay with Martin Short.