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Luckily with animation, they give you a lot more leeway than a live-action show.
When I first met the world, basically, or introduced myself to people, I was in 'Superbad,' and I feel the same way I felt promoting 'Superbad' in an underdog style that I feel promoting 'Moneyball.'
I mostly like documentaries, so I always think things that happened in real life are so astounding that why would you make a movie about something fake.
When I look at interviews from when I was that age, I come off different than how I am because I've matured - and I've matured, become a man in front of the public eye.
21 Jump Street is great. I just made that, and produced it and was a writer on it. It's starring myself and Channing Tatum, and maybe some surprise guests.
A whole generation was raised to learn about comedy from The Simpsons. To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.
Stanley Kubrick made Shelly Duvall go crazy during 'The Shining.' It's like one of the best performances ever. Maybe he shouldn't have gone that far, but I love that movie.
I mostly make R-rated movies. To make a movie that one day if I have kids or my nephews want t watch, I can show them without being put in prison. It would be really nice.
I'm sure a bunch of 15-year-old kids would way rather I do 'Superbad 2 than 'Moneyball.' But I would love to do movies like 'Superbad' and movies like 'Moneyball.'
If you're trying to be more creative, one of the most important things you can do is increase the volume and diversity of the information to which you are exposed.
Distance and difference are the secret tonic of creativity. When we get home, home is still the same. But something in our mind has been changed, and that changes everything.
Cities force us to interact with strangers and with the strange. They pry the mind open. And that is why they are the idea that has unleashed so many of our new ideas.
By the age of 3, children from wealthier households hear, on average, about 500,000 encouragements and 80,000 discouragements. The ratio is reversed in households on welfare.
The biggest misconception people have is that quality is all that matters. The truth is that quality helps, but there’s a ton of high-quality things that don’t go anywhere.
I think people often miss the fact that things often start in a swashbuckling like low cost just get it done kind of way, even when they grow into these iconic brands.
You know when you get a crush on a person you don't know that much about them, you're sort of obsessed with them, you want to spend more time with them.
People on Twitter can follow tech if they're interested in tech, or business if they're interested in business, or they can follow celebrities that they're fans of.