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I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.
I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.
It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
Rock music is quite big in India - but it mostly just replaces all the intricacies of Indian rhythms and Indian melody with lumpen rock drumming and power chords.
I like playing the stuff where I don´t know what I´m gonna play. Like the end of Fake Plastic Trees or the end of Paranoid Android - stuff where I can do anything and no one notices or cares.
But I was in the Radiohead studio today and Phil was there drumming and Thom was there playing. We feel like we've only just stopped and already people are wanting us to carry on.
I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.
Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticized ourselves.
The strangest part of Indian music is its lack of chords: There's no such thing as major or minor, and it's unusual to hear more than two different pitches at the same time.
I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.