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I live in a grey world, rather like the silver screen world. But yellow stands out.
In truth, the Library includes all verbal structures, all variations permitted by the twenty-five orthographical symbols, but not a single example of absolute nonsense.
I'm not interested in the fact that a writer may label himself as being intellectual or anti-intellectual. l'm really interested in the stuff he's turning out.
I think it's all to the good that a writer shouldn't be too famous. Because, in a country where a writer may be famous, he may be pandering to the mob, celebrity and so on.
On the floor, and hanging on to the bar, squatted an old man, immobile as an object. His years had reduced and polished him as water does a stone or the generations of men do a sentence.
The steps a man takes from the day of his birth until that of his death trace in time an inconcievable figure. The Divine Mind intuitively grasps that form immediately, as men do a triangle.
I wonder if I have woven through dreams the sexual strife. I don't think so. But after all, my business is to weave dreams. I suppose I may be allowed to choose the material.
I am attracted to fantastic writing, and fantastic reading, of course. But I think things that we call fantastic may be real, in the sense of being real symbols.
It must be that I am not made to be a dead man, but these places and this discussion seem like a dream, and not a dream dreamed by me but by someone else still to be born.
I suspected once that any human life, however intricate and full it might be, consisted in reality of one moment: the moment when a man knows for all time who he is.
So witless did these ideas strike me as being, so sweeping and pompous the way they were expressed, that I associated them immediately with literature.