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I meet people on the street or at book signings and they tend to treat me as if they know me, as if we're connected. It's great.
I was Little Miss Perfect. That's where all the secrets come in, because you know damn well you are not perfect, but you think your parents want you to be. And so you pretend.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.
I didn't know anything about writers. It never occurred to me they were regular people and that I could grow up to become one, even though I loved to make up stories inside my head.
You've never been in love," she said. "You don't understand." "If being in love means giving up your freedom, not to mention your opportunities," Caitlin said, "Then I haven't missed anything.
Suppose there aren't any more A + days once you get to be twelve? Wouldn't that be something! To spend the rest of your life looking for an A + day and not finding it.
My mother was a cracker jack typist. And she would come in and sit at my house and type the final type script before I would then send it to the publisher. And it was nice for us.
It didn't happen in the 70s. So I had a whole decade when I was writing these books and maybe there was a little bit here or there but there was no big effort to ban books.
I was shy, but I stood up in front of the class and I gave my report.I was reporting on books that I didn't want to read. I was inventing books that I didn't want to read.
I didn't know I was really a writer until I read it in the New York Times. And then I thought, "Oh my god, maybe I can really do this". That was a review of "Margaret."