Julie Harris Quotes

I really have a generation gap about modern clothes.

I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.

When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.

To fine that light within--that's the genius of poetry.

There are wonderful museums with lots of photographs of 1920's musicals.

I got the boot once from Stanley Donen. The film was called The Little Prince.

I saw a very good Hollywood film the other day. It was about Cole Porter.

I have to go back to my younger days, when I just adored Hollywood musicals.

But with period clothes, people know less so they accept the pretty drawing that I give them.

I didn't know whether I wanted to be an actress or a singer then.

With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.

I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.

With the black and white films, one was concerned with tone.

I don't know much about football but everyone seems to say that it is all about possession.

You are lucky that I can't sing tonight because I might get carried away.

I liked Live and Let Die, where money was no object.

Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.

I would loathe to work on modern films.

I find shoestrings very hard work. I like big budgets.

It's nice when you work with someone who has an eye for clothes and will show what you've given them.

I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.

I don't understand what modern clothes are about at all.