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The necessity to constantly turn in an excellent performance, to be absolutely wedded to this dedication and this ideal means that as a child you're going to pay for it personally.
In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
Everyone has a talent. It's simply a question of good discipline, of the good fortune to have an education that meshes with that talent, and a lot of luck.
Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
I read for growth, firmly believing that what you are today and what you will be in five years depends on two things: the people you meet and the books you read.
Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.
I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.
In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
There's this expression called postmodernism, which is kind of silly, and destroys a perfectly good word called modern, which now no longer means anything.
when dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art.
Beauty’s all around me right here. It’s not in a textbook. It’s not in an equation. I mean, take the sunlight … The colors flow into your lungs, into your bloodstream. You are the colors.
You only need one good reason to commit to an idea, not four hundred. But if you have four hundred reasons to say yes and one reason to say no, the answer is probably no.
I work because I have issues and questions and feelings and thoughts that I want to have a look at. I'm not in need of, or wanting, particularly, to know what other folk are up to.
I am fairly concise when I work and I work quickly because I think work is done better in a high gear than done our in a gear when everyone's exhausted. Get focused, do it!
Creativity requires quite a lot of faith - not just in yourself but also in the knowledge that you have the right to proceed, even when you may not know exactly what you're doing.
While most people in the arts think they have to be constantly looking forward to be edgy and creative....the real secret of creativity is to go back and remember.
The notion of the hero as outsider, as alien, is forget it, over, done with. It's not about being against society anymore. It's about standing there, holding something up. It's not pulling away.
Once you accept the power of spine in the creative act, you will become much more efficient in your creativity. You will still get lost on occasion, but having a spine will anchor you.
Creativity is a habit, and the best creativity is a result of good work habits. That's it in a nutshell ... In order to be creative you have to know how to prepare to be creative.