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More and more people think of the critic as an indispensable middle man between writer and reader, and would no more read a book alone, if they could help it, than have a baby alone.
I have always wanted to midcourse-correct (or undermine) in a poem, and let that be the turn. That poem is to do with displacement, with almosts - even the rhymes are intentionally off.
If someone says, 'No, no, no, the earth is round!', they think this person is an extremist. That's what it's like for someone with my right-of-centre views working inside the BBC.
Both religions and musicals work best with energetic and committed believers. Cynicism or detachment would have destroyed the magic - something true of religion, too.
I had this illusion that if I kind of dressed badly that I wouldn't stand out. You know, so I actually went out of my way to not look different to the extent I could.
The chaotic theory of education is that you go to college, earn a degree and then that degree may be used in something completely different. It's about achieving the goal first.
Age could not wither nor custom stale her infinite monotony: in fact, neither Age nor Custom could do anything (as they said, their voices rising) with the American novelist Gertrude Johnson.
The best of causes ruins as quickly as the worst; and the road to Limbo is paved with writers who have done everything I am being sympathetic, not satiric for the very best reasons.
If we meet an honest and intelligent politician, a dozen, a hundred, we say they aren't like politicians at all, and our category of politicians stays unchanged; we know what politicians are like.
One of the most puzzling things about a novel is that "the way it really was" half the time is, and half the time isn't, the way it ought to be in the novel.
The usual bad poem in somebody's Collected Works is a learned, mannered, valued habit, a habit a little more careful than, and little emptier than, brushing one's teeth.