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Truths ... are too often considered as so true, that they lose all the power of truth, and lie bed-ridden in the dormitory of the soul, side by side with the most despised and exploded errors.
It's definitely important to stay true to yourself and stay close to those people who you were close to before [becoming famous]. Family, your friends, and just not let that outside stuff get to you.
The only way I hear gossip is if it's big enough and loud enough for my friends to bring it up to me. Or if it's, like, a big untrue ordeal from my publicist - and she hates making that phone call!
In the South, we tell stories. We tell stories if you're in a sales position, if you're in a retail position, you lure your customer by telling a story. You just do.
I hate to try to be that person in my own skin, in my own way, in my own head, not through exercises or anything else, just by, I guess, belief, concentration.
I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level
I like to wear platform heels onstage and they're actually hard to find. But fans started putting money in them - so now they are filled with tons of bills. It's pretty amazing.
I've got to be honest, and I'm not just saying this because the majority of you reading this live there, but I love the United Kingdom. I just flat-out love it.
I didn't have the worst childhood, but I didn't have the best, and when you grow up like that, you have certain limitations invariably stuck inside you. Slipknot was a way to work it out.
I’ve questioned everything about myself, every step of the way. You have to have the same amount of fear and self-doubt as you do hope and blind optimism.
I like the connection with fans and people who have been supportive of me. And I love the idea of real feedback and a two-way street, which is very, very modern.