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Well, it arose out of two long-term concerns - the first being the possibility of genetic manipulation, nature versus nurture, what constitutes how people get to be how they are.
The truth is always an insult or a joke, lies are generally tastier. We love them. The nature of lies is to please. Truth has no concern for anyone's comfort
I get glimpses of the horror of normalcy. Each of these innocents on the street is engulfed by a terror of their own ordinariness. They would do anything to be unique.
In our struggle to restrain the violence and contain the damage, we tend to forget that the human capacity for aggression is more than a monstrous defect, that it is also a crucial survival tool.
What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering.
It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.
How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
The more potent, unasked question is how society at large reacts to eager, voluntary violence by females, and to the growing evidence that women can be just as aggressive as men.
I do not plan any painting, but begin with layers of textures and colors. As I layer the colors, something is suggested to me from within, and that is how it evolves.
Were also far enough from the publishing power that we have no access to the politics of publishing, although there are interpersonal politics, of course.
In the end I would always pull up with a sense of glory, that loving is the strong side. It's feeble to be an object. What's the point of being loved in return, I'd ask myself.
My paintings are reflections of my own inner mysteries... they all reflect my relationship to my steadiest of companions and muses - nature and animals.
'The Iliad' includes some snappy sports reporting, and writers ever since have been probing athletes for signifiers, for metaphor amped by grit under pressure.